Photography has opened for us the doors of his studio, which lay at the heart of his creation during the 1880s. This is where lumps of clay took shape, The Burghers of Calais were modelled naked before being clothed, and The Gates of Hell covered with a multitude of figures. Rodin started by hiring unknown photographers from the neighbourhood, Bodmer, Pannelier and Freuler who, unlike him, remained in the shadows. And then the clay figures were transformed into plaster, bronze and marble, and the studio became increasingly crowded. By the end of the 1890s, Rodin was an artist recognised by both his peers and the general public. Eugène Druet, an amateur photographer, followed by Jacques-Ernest Bulloz, became his official photographers, each one in his own manner following Rodin’s precise instructions.
Your photographs will make people understand my BalzacA.Rodin to E. Steichen
This evolution in the role and place of photography in the sculpted work of Rodin is an accurate reflection of what happened in the early 20th century: photography was viewed under a different angle so that it gradually attained the status of an artwork.
This large-scale exhibition, devoted to the photographic collection of the Rodin Museum, will present 200 photographs for the first time since the Salon des Pictorialistes held in 1993. A catalogue, jointly published by the Rodin Museum and Gallimard, will accompany the exhibition.
RODIN AND PHOTOGRAPHY
Exhibition from 14th November 2007 to 2nd March 2008
Musée Rodin
www.musee-rodin.fr
79, rue de Varenne
75007 Paris
Metro Varenne (line 13)
Opening hours: 9.30am-4.45pm every day except Mondays.
Closed 25th December and 1st January
Admission price: Adults 6 euros, concession 4 euros.
Combined exhibition + permanent collection ticket + garden: 9€, concession: 6€
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