RINEKE DIJKSTRA:"Park Portraits" until January 19th,2008 at the Marian Goodman Gallerie

Reception Friday December 07th 2007, 06-08 pm at the Marian Goodman Gallerie

Following a fantastic traveling retrospective of her work, Rineke Dijkstra has recently unveiled her latest project - a new series of portraits of young people photographed, in city parks of the world, in which the artist's lens majestically captures life and the nuances of timeless rites of passage, and of identity, in medias res, an updated, modern album of magical woodland creatures. 'Park portraits', on show at the Marian Goodman Gallery in Paris, include images of schoolchildren and adolescents engaged in the rituals of their daily life, whether it be playing, socialising, resting, thinking, in city parks in Europe, China and the United States.

It's interesting that of all the portraits, varied as they are in focus and expression, not a single one is in what is known as a 'portrait' format. Using the lush framework of traditional landscape in a seemingly offhand manner echoes part of the sense of Dijkstra's latest images of youth - the natural and inevitable merging of two subjects, both personal and universal, which are in a state of constant change, and for which there is a longstanding artistic fascination to converse with and overturn. Writing about the park portraits in a Dutch daily newspaper during the time of the Stedelijk show, Kees Keijer wrote: 'Dijkstra let go of her former austerity and photographed four young people in Amsterdam during a "Dejeuner sur l'herbe anno 2005". Again the work is frontal, but now the pose is relaxed. The surroundings in Dijkstra's work used to be extremely sober; now, candy wrappings and empty soft drink bottles are lying about. A gaping rucksack zipper offers a nearly symbolic perspective on a different reality: one of homework, commitments and expectations for the future. But they don't want to think about that just now'.

The new body of work is slightly more playful than Dijkstra's previous, rather more austere series documenting the rites of passage of adolescence and childhood, from the 'Beach Portraits' of 1992, to the video installation 'Buzzclub/Mysterworld' (1996-1997), the 'Tiergarten Series' (1998-2000), 'Israeli soldiers' (1999-2000), and the single-subject portraits in serial transition: 'Almerisa' (1994-2005), 'Shany' (2001-2003) and 'Olivier' (2000-2003). In 'Park portraits', the portrait seems to shape the subject's possession of their own identity, now performing for us in a new, uncontrollable theatre of characters, safe in the comfort of their favorite spot.

Rineke Dijkstra. Park Portraits
December 07th,2007 to January 19th,2008

Marian Goodman Gallerie
http://www.mariangoodman.com/mg/paris.html
79, rue du Temple
75003 Paris

Metro Rambuteau
Free entrance 18h-20h

T. 01 48 04 70 52
Mail: parisgallery@mariangoodman.com

My Blueberry Nights prints from Darius Khondji for Wong Kar Wai at colette until January 07th

From December 3rd until January 7th, exhibition at colette of high quality panoramic pictures made during spotting by Darius Khondji for the Wong Kar Wai movie My Blueberry Nights. Collector book edited by Xavier Barral premiering for sale at colette starting December 3rd 2007.


colette
http://www.colette.fr/
213 rue Saint-Honoré
75001 Paris
Tel: +33 1 55 35 33 90 - Fax: +33 1 55 35 33 99
contact@colette.fr
Open from Monday to Saturday 11am to 7pm.
Metro : Tuileries or Pyramides / Bus line 68 or 72

Galerie: galerie@colette.fr - Tel: +33 1 55 35 33 97

Rodin and photography Until March 2nd, 2008 at Musée Rodin

Luck would have it that Rodin was born one year after photography. While he pursued his career as a sculptor, this new reproduction technique experienced what was probably its most fertile and inventive years. The artist was by no means oblivious to the practical and aesthetic appeal of this new medium, and the approximately 7,000 pictures he amassed between 1879 and 1917 illustrate both his own story and the history of photography.


Photography has opened for us the doors of his studio, which lay at the heart of his creation during the 1880s. This is where lumps of clay took shape, The Burghers of Calais were modelled naked before being clothed, and The Gates of Hell covered with a multitude of figures. Rodin started by hiring unknown photographers from the neighbourhood, Bodmer, Pannelier and Freuler who, unlike him, remained in the shadows. And then the clay figures were transformed into plaster, bronze and marble, and the studio became increasingly crowded. By the end of the 1890s, Rodin was an artist recognised by both his peers and the general public. Eugène Druet, an amateur photographer, followed by Jacques-Ernest Bulloz, became his official photographers, each one in his own manner following Rodin’s precise instructions.

Your photographs will make people understand my Balzac

A.Rodin to E. Steichen

This evolution in the role and place of photography in the sculpted work of Rodin is an accurate reflection of what happened in the early 20th century: photography was viewed under a different angle so that it gradually attained the status of an artwork.

This large-scale exhibition, devoted to the photographic collection of the Rodin Museum, will present 200 photographs for the first time since the Salon des Pictorialistes held in 1993. A catalogue, jointly published by the Rodin Museum and Gallimard, will accompany the exhibition.

RODIN AND PHOTOGRAPHY
Exhibition from 14th November 2007 to 2nd March 2008

Musée Rodin
www.musee-rodin.fr
79, rue de Varenne
75007 Paris

Metro Varenne (line 13)

Opening hours: 9.30am-4.45pm every day except Mondays.
Closed 25th December and 1st January
Admission price: Adults 6 euros, concession 4 euros.
Combined exhibition + permanent collection ticket + garden: 9€, concession: 6€

City and transparencies - Adrienne Arth photographies From November 24th to December 15th, 2007 at Tampon-Ramier

In the exhibition "City and transparencies" Adrienne Arth is going even further than usual in her stagging of the real world. Here, it's the movement and the race, the mass and the colour that are captured.

Legs, feet, bodies, faces, stolen moves on a metro exit, in a building reflection, in a train... We're witnessing a dislocation, a ripping of the reality. A sudden roar burst, a town is appearing: Paris, scarefied with humans, lives, traces... Photographs becomes a game of matters and shapes of many layers. The human being becomes a shape in space, a fulcrum where the eye stops and bounce back. In her work, the abstraction look is dominating, but also a definitive modern approach and a more radical photogrphic aesthetic.

City and transparencies - Adrienne Arth photographies
From November 24th to December 15th, 2007

L’Atelier Tampon-Ramier
http://www.ateliertampon-ramier.over-blog.com/
14, rue Jules Vallès
75011 Paris
Tel : 0143735346

Free entrance

Mirror, mirror on the wall... from november 19th to december 2nd, 2007 at the Galerie du Lucernaire

This exhibition is presented by the galerie du Lucernaire within the « Le 6ème, ateliers d’artistes » open doors week in Paris.

3 photographers…

Paul Muse is born in England in 1960. Photographer since he is eleven year old. After some litterature, Photo and cinema studies, he briefly worked in advertising before leaving the country for a two year stay in Sudan, then Portugal for 3 years. Moving to Paris in 1990, he since devoted himself to street photography and published his first solo exhibition in 1996. Since the summer of 2006, he works on the "Today" project, a daily newspaper in pictures and words, published on his website.

Frances Ryan settled down in Paris after years spent wandering around the world. It is only when she discovered the work of Ansel Adams and Edward Weston she decided to work exclusively in black and white. She runs through Paris, her city of adoption, to share with us the hidden secrets and her personnal vision of the city.

After studying Spanish litterature and Art History in Madrid and Paris, Laurence Toussaint worked for about 10 years at the contemporary art library Artcurial. Passionate for photography, she specialized in gardens and landscape and illustrate books about the wonders of nature.

Mirror, mirror on the wall...
Photographies by Paul Muse, Frances Ryan, Laurence Toussaint
from november 19th to december 2nd, 2007

Galerie du Lucernaire
http://www.lucernaire.fr/galerie.html
53, rue Notre Dame des Champs
75006 Paris
Free entrance (1st floor)
Monday to Saturday from 10am to 10pm
Sunday from 02pm to 10pm

Xavier Zimbardo. The apparitions' genius from November 29th, 2007 to January 10th at the Albert Benamou Gallerie

Since he escaped, twenty years ago, the verb archipelago where his teaching profession restricted him in order to give full time to his role as image creator, Xavier Zimbardo reported from his vagabondages through continents and worlds a stunning collection of photographic works. Nothing to do with documentaries cliches, anecdotal, quaint or exotic pictures. Each of his images has to be seen as an apparition, where the share of imagination, random effects and the inspirationnal impromptu haunt the scope of reality.

Whether views, scenes, portraits, this flash from another world make the snapshot iridescent. The aim of the artist is not to duplicate what he technically has under the eyes, but to subjectively produce what makes, from the bottom of his eye to the abbyss of the hypothalamus, the singular illumination of the captured image. From the shoot to the impression, through work on negative or the screen every Zimbardo's work is as accomplished as a dance on your optic nerve. Always with a need to dive his focal, mental, libidinal objective beyond visible, inviting our gaze to bear on the side of the wandering soul of things, living and worlds. That earned him the title of shaman photographer.



Xavier Zimbardo. Le génie des apparitions (The apparitions' genius)
Exhibition from November 29th, 2007 to January 10th, 2008

Albert Benamou Gallerie
www.benamou.net
24, rue de Penthièvre
75008 Paris
Tel : 01 45 63 12 21
Fax : 01 45 63 22 11
18h-21h

Email : albertbenamou@gmail.com

Fantasy - What Ever Happened to Your Dreams ? Until January 12th at the Galerie Les Filles du Calvaire

The English term "Fantasy", which means both fantasy and the fantastic, serves as a guide to the exhibition What Ever Happened to Your Dreams ?
From November 24 to January 19, at the Galerie les Filles du Calvaire, Paris.

Erotical object and advetising privileged target, the child is often represented in contemporary art including photography and video. Adults (author or spectators of the image) have a tender and terrible glance to his World: sometimes seen as a double or a radical self, a mysterious being sometime hostile and cruel, nevertheless fragile and vulnerable, the child lives in a perfect or fantasy world where adults are projecting their fantasies.

The childlike universe, lures associated with an idyllic, fantastic or nightmarish virtuality, ideally takes shape in a fairy tale aesthetic. It is often referred to as a kind of lost Eden where fears and dangers, monsters and evil are hiding behind a prettiness display. It is that phantasmagoria that can be found in popular images.
In the latter, contemporary artists are allusively contributing while building on psychoanalysis and the contribution both cultural and technical of the photographic and film medium. If the works refer frequently and ambivalentely to the joys and anxieties related to the impulses of childhood - a time when dream / nightmare and reality are blending - affirmed staging, apparent or exaggerated digital manipulation are emerging as forms of symbolic resistance to the projections of desires and fears from adults and the roles they wish these childish figures will play.

The title of the exhibition at Galerie Les Filles du Calvaire: "What ever happened to your dreams?" is a direct reference to the 1960's Henry Farrell book adapted for the movies by Robert Aldrich in 1962, "What Ever Happened to Baby Jane?" It introduces the concepts of fantasy and duality between romance and terror, between purity and evil, embodied in the film by an aging Bette Davis locked in her child's wishes and lust for eternal youth, struggling with the perversity of Joan Crawford. This exhibition will put the emphasis on pieces illustrating the loss and the overwhelming desire for adults to preserve their dreams.

Fantasy - What Ever Happened to Your Dreams ?
from 24-11-2007 to 12-01-2008
Elke Boon, Maïder Fortuné, Julia Fullerton-Batten, Ellen Kooi, Mireille Loup,
Marie-France et Patricia Martin, Wendy McMurdo, Alessandra Sanguinetti, Santeri Tuori

Galerie Les Filles du Calvaire
Galerie les filles du calvaire
17, rue des Filles-du-calvaire
75003 Paris
Open from tuesday to saturday from 11:00 AM to 06:30 PM

Signes / Signs Mark Power's first solo exhibition in Parisuntil january 26th, 2008

Mark Power was born in Harpenden, England in 1959. His photographs have been exhibited in galleries throughout the world and published in books and numerous magazines.
Mark Power joined Magnum Photos as a Nominee in 2002, became an Associate in 2005, and a full Member in 2007. Meanwhile, in his other life, he is Professor of photography at the University of Brighton, a city on England's south coast where he lives with his partner Jo and their children Chilli (b.1998) and Milligan (b.2002).


Signes / Signs is an exhibition of approximately 60 works from across Mark Power's career at the Centre Culturel Calouste Gulbenkian in central Paris from 15 November until 26 January 2008. Selected by the Portuguese Jorge Calado, 'Signes' is Power's first solo show in Paris.

Mark Power "Signes/Signs"
In collaboration with MAGNUM PHOTOS
from Thursday november 15th to January 26th, 2008

Centre Culturel Calouste Gulbenkian
www.gulbenkian-paris.org
51 Avenue d'iéna
75016 Paris

métro : Etoile, Kléber, Georges V, Iéna
bus : 30, 31, 92

Geographic Treasures of the Society of Geography at the Bibliothèque nationale de France

Abu Simbel, African horse riders, Japanese SamouraÎ, impressive trees ... Discover at the BnF's Gallery of Photography, photographs from the famous Society of Geography. A testimony to the state of the world and its upheavals in the 19th century, but also the passion for inventory embedded in scholars geographers of the 19th century. A unique collection to see again and again.

The Society of Geography was founded in 1821 in Paris by 217 personalities that made up the scholarly elite of the time. Its establishment and its ambitions are in keeping with a vast enterprise of knowledge and discovery in the world.
The booming of photography, contemporary to the exploration great movement of the second half of the 19th century, makes it possible to refresh the imagination of the Western world for the unknown. Lonely travelers, scientific expeditions, religious, civil or military missions brought back the first images from regions and peoples hitherto ignored to Westerners.

The photographic collections of the Society of Geography, exceptional by their originality, their diversity and remarkable consistency, are a unic source for the history of travels and discoveries in the 19th century and in the first half of the 20thcentury. Spontaneously gathered and then, from 1881, collected and combined into a single fund under the leadership of the librarian James Jackson, these photographs come from foreign and french members but also outside correspondents of the Society: soldiers, diplomats, engineers, explorers and travelers it sponsored.

Geographic Treasures of the Society of Geography
Exhibition from September 18th to December 16th, 2007

Bibliothèque nationale de France
http://expositions.bnf.fr/socgeo/index.htm
site Richelieu – Galerie de photographie
58, rue de Richelieu, 75002 Paris

Metro : Lines 3 (Bourse),1 and 7 (Palais-Royal), 7 and 14 (Pyramides)
Bus : 20, 29, 39, 67, 74 , 85

Open from Tuesday to Saturday (10.00am to 7.00pm) and Sunday (12.00pm to 7.00pm) except Monday
Exhibition Full rate 7 € Reduced rate 5 €

Steichen, a photographic epic Until December 31st at the "Jeu de Paume" museum

This exhibition is the first retrospective in Europe of the work of Edward Steichen organized from 450 vintage photographs and various documents.

Curious and inventive mind, Edward Steichen (1879-1973) was one of the most prolific and influential photographers in the history of photography in the twentieth century. This Luxembourg borned American original co-founded with Alfred Stieglitz in 1902 the Photo Secession group, and actively participates in the magazine Camera Work. He is both a painter and photographer. As a photographer, he produced portraits, landscapes, still lifes, nudes, he exercises his talents in fashion photography, dance, theater, flowers, in advertising, as well as a war photographer and aerial photography.It seems no genre could escapes his innovative eye. Graphic design, typography, art direction also provide a fertile ground for his creativity.

Condé Nast, seduced by his pictorialist photographs gave him in 1923 the artistic direction for Vogue and Vanity Fair.
It will also be curator of photography at MoMA. He organized there the Famous "The Family of Man" exhibition, running from 1955, and seen by about ten million visitors from around the world. This will be the crowning achievement of his career.


This exhibition is organized by the Foundation for the Exhibition of Photography (Minneapolis) and the Musée de l'Elysee (Lausanne), in partnership with the Jeu de Paume.
It is presented with the support of Neuflize Vie, the Jaeger-LeCoultre Manufacture, and in partnership with The Village Voice, Vogue, and Arte FIP

Le Jeu de Paume - site Concorde
http://www.jeudepaume.org/
1, Place de la Concorde
75008 Paris
Metro : Concorde (lines 1, 8 et 12)
Tel : 33(0)1 47 03 12 52

The "Jeu de Paume" is now an institution dedicated to photography and image.

Open daily From Wednesday to Friday from 12 to 19 pm, Saturday and Sunday from 10 am to 19 pm. On Tuesday, up to 21h. Closed on Mondays.

Full fare : 6 €
Reduced : 3 € Free for children under 13 years of age

Photoquai, 1st Still images Biennial in the World At the Quai Branly museum, Paris until November 25th, 2008

A biennial dedicated to contemporary photography
Photoquai was designed by the Quai Branly Museum as a contemporary biennial dedicated to non-Western visual arts. Its purpose has raised the interest of the institutions located along the Seine. They were approached by the Quai Branly Museum to be partners of the first edition of Photoquai.


For the first edition 2007 - which combines outside exhibitions promenade to silver prints display within institutions, as well as forums and workshops, the heart of the project lies mainly between the Eiffel Tower and the Pont de l 'Alma.
The Seine is the core symbolic anchor of the event; in accordance with the "popular" nature of the event, Photoquai proposes, along with exhibitions scheduled within partner institutions, street exhibitions, free of charge to the general public, on the docks the Seine along the Quai Branly museum. These exhibitions are the heart of Photoquai, and make the link between the different institutions.

Partner institutions (see list below)
- The Australian embassy
- The Brazilian embassy
- Bibliothèque Nationale de France - National Library of France
- The cultural center of China in Paris
- la Cité de l’architecture et du patrimoine - City of Architecture and Heritage
- The Polish institute
- la Galerie nationale du Jeu de Paume
- la Maison européenne de la photographie - The European House of Photography
- le musée national de la Marine - The National Maritime Museum

photoquai : 3 exhibitions at the quai Branly museum
West Gallery (suspended)
Two photographic exhibitions are presented simultaneously in the space usually dedicated to the main anthropology exhibition.

Ruby’s Room (1998-2007)Ruby's Room (1998-2007)
October 30, 2007-January 13, 2008

Commissioner: Yves Le Fur, Deputy Director and Heritage Collections at the Quai Branly Museum.

This series of very large images testify of the original glaze that the artist focuses on childhood, through an exploration of "what children do with their mouths". Respected figure of photography in New Zealand, Anne Noble talks about his work as an "alternative" archeology. Dedicated to the artist's daughter, Ruby, the series of forty photographs has been unveiled to the public in New Zealand, Australia, Germany and Spain. Thanks to a scale voluntarily disproportionate to the apparent banality of the subject, the use of contrasting colors and that direct flash, the artist seeks to emphasize in an unusual manner details of a body part, the mouth, in its many functions symbolic food, speech, language, and so on.

Camera obscura, the first daguerreotype portraits (1841-1851)
October 30, 2007-January 13, 2008

Commissioner Christine Barthe, head of photographic collections of the Quai Branly Museum.

The museum maibtain among its collections of old photographs a set of particularly outstanding daguerreotypes, some of which were shown at the "D’un regard l’Autre" exhibition. Moved to the West Gallery next to "Ruby's Room", another photographic exhibition consisting of large colorful prints, The Daguerréotypes plays on contrast of formats, colors, and technology - proposing a fugitive image through perceived reflection. This exhibition will present more particularly daguerreotypes made in East Africa by Charles Guillain, frigate captain, between 1846 and 1848.

Walker Evans
October 30, 2007-November 25, 2007

quai Branly Museum/ Sessions Pavillion

The Quai Branly Museum owns one of the 17 portfolios made by Walker Evans, for the African art exhibition at the Museum of Modern Art in 1935. It is one of the few portfolios in this series in the world yet complete, which contains a selection of statues and masks (477 images).
With Photoquai, the Pavilion Sessions visitor will be able to see those outstanding images side by side with masterpieces that have inspired them, or objects that are close enough.

Photoquai « Forum »Debates, exchanges, meetings with artists, videographers, agencies and international festivals from China, Latin America, Africa… At the Claude Lévi-Strauss theater, the following activities will be debated: on the one hand, the question of commited images vs. anthropological gaze. Humanitarian approach - and, secondly, the existence of alternative structures for image broadcast.
30 and 31 October, Theater Claude Lévi-Strauss.
November 16 and 17, Theater Claude Lévi-Strauss.



Photoquai "studio" This year, the School of Architecture in Paris (ESA) will present the work of his students, from Jerusalem, Melbourne, Mexico City, Buenos Aires, Singapore, Wellington. Leurs homologues français, en échange eux aussi pour un semestre, serviront de relais au projet dans les écoles partenaires de l'ESA à travers le monde. Their French counterparts, also in exchange for a semester, will serve as a relay to the project in ESA partners schools throughout the world. A project with the "National Higher School of Photography" in Arles (ENSP) and "Les Gobelins", the image school is underway for future editions of Photoquai.
30 octobre au 25 novembre, Théâtre Claude Lévi-Strauss. October 30 to November 25, Theater Claude Lévi-Strauss.

The outdoor exhibits presented Quai Branly and on the Debilly bridge are freely available every day from October 30 to November 25.


Musée du quai Branly
www.quaibranly.fr
October 30-November 25
Anne Noble, and Ruby's Room "Camera obscura, the first daguerreotype portrait, 1841-1851"
Admission to the museum is done by the 206 and 218 rue de l'Université
or by 27, 37 or 51 Quai Branly - 75007 Paris
Tuesday, Wednesday, Sunday: 11h - 19h
Thursday, Friday, Saturday: 11 am to 21h
Weekly closing on Monday
The exhibitions are on the West Gallery suspended from the Shelf Collections




Indoor exhibits


Australian Embassy
30 octobre – 25 novembre
Ricky Maynard, Portrait of a distant land
4, rue Jean Rey - 75015 Paris
Du lundi au vendredi, de 9h à 17h sauf jours fériés
Par métro : Bir-Hakeim ou RER Champ de Mars
Entrée libre
Plus d'infos http://www.france.embassy.gov.au/

Brasilian Embassy
30 octobre – 9 novembre
Sebastião Salgado, Indiens du haut Xingu
14 – 30 novembre
Carlos Freire, Avatars
34, cours Albert 1er - 75008 Paris
Tel : 01 45 61 63 00
Plus d'infos http://www.bresil.org/index.php?option=com_content&task=category§ionid=5&id=187&Itemid=49&cataff=187

Bibliothèque Nationale de France – site Richelieu
18 septembre – 16 décembre
Trésors photographiques de la société de géographie
58, rue de Richelieu - 75002 Paris
Du mardi au samedi de 10h à 19h
Le dimanche de 12h à 19h
Fermeture le lundi et les jours fériés
Tarif plein : 7 euros
Tarif réduit : 5 euros
Par métro : lignes 3 (Bourse),1 et 7 (Palais-Royal), 7 et 14 (Pyramides)
Par bus : 20, 29, 39, 67, 74, et 85
Plus d'infos http://www.bnf.fr/pages/zNavigat/frame/pratic.htm

China cultural Center in Paris
30 octobre – 25 novembre
Trois photographes chinois contemporains
1, boulevard de la Tour Maubourg - 75007 Paris
Du lundi au samedi : 10h – 12h et 14h – 18h
Entrée libre
Par métro : lignes 8 et 13 - Invalides ou Tour Maubourg
Par RER C : Invalides
Plus d'infos http://www.cccparis.org/newsite/exposition_Photoquai.htm

Cité de l'architecture et du patrimoine
30 octobre – 25 novembre
Architecture sans architecte en terre malienne
Palais de Chaillot
1, place du Trocadéro et du 11 novembre - 75016 Paris
Entrée libre
Plus d'infos http://www.citechaillot.fr/activite/evenements.php?init&id=167

Polish Institute
27 octobre – 14 novembre
Bogdan Konopka & Luo Yongjin, La Chine, les saveurs du divers
17 – 23 novembre
Krystyna Ziach, Infinity
31, rue Jean Goujon - 75008 Paris
Du lundi au vendredi : 9h30 – 17h
Entrée libre
Plus d'infos

Gallerie Françoise Paviot
27 octobre - 8 décembre
Bogdan Konopka, "Chine, l'Empire du gris"
57, rue Saint-Anne - 75002 Paris
Tél : 01 42 60 10 01
Ouvert au public du jeudi au samedi de 14h30 à 19h et sur rendez-vous
Samedi code porte : 45 B 67
Par métro : Quatre-Septembre et Pyramides
Par bus : 39

Gallerie Nationale du Jeu de Paume
16 octobre – 11 novembre
Omar Amiralay, rétrospective
1, place de la Concorde - 75008 Paris
Mardi (nocturne) : 12h à 21h
Mercredi à vendredi : 12h à 19h
Samedi et dimanche : 10h à 19h
Fermeture le lundi
Tarif plein : 6 euros
Tarif réduit : 3 euros
Par métro : Concorde (lignes 1, 8, 12)
Par bus : 24, 42, 72, 73, 84, 94
Plus d'infos http://www.jeudepaume.org/?page=article&sousmenu=1&idArt=313&lieu=1

European House of photography
10 octobre – 25 novembre
« Micro-ondes » - installation photographique de Rogiero Reis
5/7, rue de Fourcy - 75004 Paris
Ouvert tous les jours de 11 heures à 20 heures, sauf les lundis, mardis et jours fériés
Plein tarif : 6 euros
Demi-tarif : 3 euros
Par métro : Saint Paul ou Pont Marie
Par bus : 67, 69, 96 ou 76
Plus d'infos http://www.mep-fr.org/maison.htm

Musée national de la Marine
24 octobre – 25 novembre
« Suez Désiré, ou le paysage métamorphosé »
Palais de Chaillot
17, place du Trocadéro - 75116 Paris
Le musée est ouvert tous les jours (sauf le mardi, le 25 décembre, le 1er janvier et le 1er mai) de 10h à 18h
Plein tarif : 9 euros
Tarif réduit : 7 euros
Tarif 6-18 ans : 5 euros
Par métro : Trocadéro
Par bus : 22, 30, 32, 63, 72, 82
Batobus : Tour Eiffel
Plus d'infos http://www.musee-marine.fr/site/fr/horaires_acces_paris

Pavillon des Sessions, musée du Louvre
30 octobre – 25 novembre
Walker Evans, photographies
Entrée par la Porte des Lions
Tous les jours sauf le mardi et le vendredi de 9h à 18h, nocturnes jusqu'à 22h le mercredi
Par métro : Palais-Royal/musée du Louvre
Par bus : 21, 24, 27, 39, 48, 68, 69, 72, 81, 95
Plus d'infos http://www.quaibranly.fr/fr/collections/pavillon-des-sessions-au-musee-du-louvre/informations-pratiques-pavillon-des-sessions-du-louvre/index.html