Signes / Signs Mark Power's first solo exhibition in Parisuntil january 26th, 2008

Mark Power was born in Harpenden, England in 1959. His photographs have been exhibited in galleries throughout the world and published in books and numerous magazines.
Mark Power joined Magnum Photos as a Nominee in 2002, became an Associate in 2005, and a full Member in 2007. Meanwhile, in his other life, he is Professor of photography at the University of Brighton, a city on England's south coast where he lives with his partner Jo and their children Chilli (b.1998) and Milligan (b.2002).


Signes / Signs is an exhibition of approximately 60 works from across Mark Power's career at the Centre Culturel Calouste Gulbenkian in central Paris from 15 November until 26 January 2008. Selected by the Portuguese Jorge Calado, 'Signes' is Power's first solo show in Paris.

Mark Power "Signes/Signs"
In collaboration with MAGNUM PHOTOS
from Thursday november 15th to January 26th, 2008

Centre Culturel Calouste Gulbenkian
www.gulbenkian-paris.org
51 Avenue d'iéna
75016 Paris

métro : Etoile, Kléber, Georges V, Iéna
bus : 30, 31, 92

Geographic Treasures of the Society of Geography at the Bibliothèque nationale de France

Abu Simbel, African horse riders, Japanese SamouraÎ, impressive trees ... Discover at the BnF's Gallery of Photography, photographs from the famous Society of Geography. A testimony to the state of the world and its upheavals in the 19th century, but also the passion for inventory embedded in scholars geographers of the 19th century. A unique collection to see again and again.

The Society of Geography was founded in 1821 in Paris by 217 personalities that made up the scholarly elite of the time. Its establishment and its ambitions are in keeping with a vast enterprise of knowledge and discovery in the world.
The booming of photography, contemporary to the exploration great movement of the second half of the 19th century, makes it possible to refresh the imagination of the Western world for the unknown. Lonely travelers, scientific expeditions, religious, civil or military missions brought back the first images from regions and peoples hitherto ignored to Westerners.

The photographic collections of the Society of Geography, exceptional by their originality, their diversity and remarkable consistency, are a unic source for the history of travels and discoveries in the 19th century and in the first half of the 20thcentury. Spontaneously gathered and then, from 1881, collected and combined into a single fund under the leadership of the librarian James Jackson, these photographs come from foreign and french members but also outside correspondents of the Society: soldiers, diplomats, engineers, explorers and travelers it sponsored.

Geographic Treasures of the Society of Geography
Exhibition from September 18th to December 16th, 2007

Bibliothèque nationale de France
http://expositions.bnf.fr/socgeo/index.htm
site Richelieu – Galerie de photographie
58, rue de Richelieu, 75002 Paris

Metro : Lines 3 (Bourse),1 and 7 (Palais-Royal), 7 and 14 (Pyramides)
Bus : 20, 29, 39, 67, 74 , 85

Open from Tuesday to Saturday (10.00am to 7.00pm) and Sunday (12.00pm to 7.00pm) except Monday
Exhibition Full rate 7 € Reduced rate 5 €

Steichen, a photographic epic Until December 31st at the "Jeu de Paume" museum

This exhibition is the first retrospective in Europe of the work of Edward Steichen organized from 450 vintage photographs and various documents.

Curious and inventive mind, Edward Steichen (1879-1973) was one of the most prolific and influential photographers in the history of photography in the twentieth century. This Luxembourg borned American original co-founded with Alfred Stieglitz in 1902 the Photo Secession group, and actively participates in the magazine Camera Work. He is both a painter and photographer. As a photographer, he produced portraits, landscapes, still lifes, nudes, he exercises his talents in fashion photography, dance, theater, flowers, in advertising, as well as a war photographer and aerial photography.It seems no genre could escapes his innovative eye. Graphic design, typography, art direction also provide a fertile ground for his creativity.

Condé Nast, seduced by his pictorialist photographs gave him in 1923 the artistic direction for Vogue and Vanity Fair.
It will also be curator of photography at MoMA. He organized there the Famous "The Family of Man" exhibition, running from 1955, and seen by about ten million visitors from around the world. This will be the crowning achievement of his career.


This exhibition is organized by the Foundation for the Exhibition of Photography (Minneapolis) and the Musée de l'Elysee (Lausanne), in partnership with the Jeu de Paume.
It is presented with the support of Neuflize Vie, the Jaeger-LeCoultre Manufacture, and in partnership with The Village Voice, Vogue, and Arte FIP

Le Jeu de Paume - site Concorde
http://www.jeudepaume.org/
1, Place de la Concorde
75008 Paris
Metro : Concorde (lines 1, 8 et 12)
Tel : 33(0)1 47 03 12 52

The "Jeu de Paume" is now an institution dedicated to photography and image.

Open daily From Wednesday to Friday from 12 to 19 pm, Saturday and Sunday from 10 am to 19 pm. On Tuesday, up to 21h. Closed on Mondays.

Full fare : 6 €
Reduced : 3 € Free for children under 13 years of age

Photoquai, 1st Still images Biennial in the World At the Quai Branly museum, Paris until November 25th, 2008

A biennial dedicated to contemporary photography
Photoquai was designed by the Quai Branly Museum as a contemporary biennial dedicated to non-Western visual arts. Its purpose has raised the interest of the institutions located along the Seine. They were approached by the Quai Branly Museum to be partners of the first edition of Photoquai.


For the first edition 2007 - which combines outside exhibitions promenade to silver prints display within institutions, as well as forums and workshops, the heart of the project lies mainly between the Eiffel Tower and the Pont de l 'Alma.
The Seine is the core symbolic anchor of the event; in accordance with the "popular" nature of the event, Photoquai proposes, along with exhibitions scheduled within partner institutions, street exhibitions, free of charge to the general public, on the docks the Seine along the Quai Branly museum. These exhibitions are the heart of Photoquai, and make the link between the different institutions.

Partner institutions (see list below)
- The Australian embassy
- The Brazilian embassy
- Bibliothèque Nationale de France - National Library of France
- The cultural center of China in Paris
- la Cité de l’architecture et du patrimoine - City of Architecture and Heritage
- The Polish institute
- la Galerie nationale du Jeu de Paume
- la Maison européenne de la photographie - The European House of Photography
- le musée national de la Marine - The National Maritime Museum

photoquai : 3 exhibitions at the quai Branly museum
West Gallery (suspended)
Two photographic exhibitions are presented simultaneously in the space usually dedicated to the main anthropology exhibition.

Ruby’s Room (1998-2007)Ruby's Room (1998-2007)
October 30, 2007-January 13, 2008

Commissioner: Yves Le Fur, Deputy Director and Heritage Collections at the Quai Branly Museum.

This series of very large images testify of the original glaze that the artist focuses on childhood, through an exploration of "what children do with their mouths". Respected figure of photography in New Zealand, Anne Noble talks about his work as an "alternative" archeology. Dedicated to the artist's daughter, Ruby, the series of forty photographs has been unveiled to the public in New Zealand, Australia, Germany and Spain. Thanks to a scale voluntarily disproportionate to the apparent banality of the subject, the use of contrasting colors and that direct flash, the artist seeks to emphasize in an unusual manner details of a body part, the mouth, in its many functions symbolic food, speech, language, and so on.

Camera obscura, the first daguerreotype portraits (1841-1851)
October 30, 2007-January 13, 2008

Commissioner Christine Barthe, head of photographic collections of the Quai Branly Museum.

The museum maibtain among its collections of old photographs a set of particularly outstanding daguerreotypes, some of which were shown at the "D’un regard l’Autre" exhibition. Moved to the West Gallery next to "Ruby's Room", another photographic exhibition consisting of large colorful prints, The Daguerréotypes plays on contrast of formats, colors, and technology - proposing a fugitive image through perceived reflection. This exhibition will present more particularly daguerreotypes made in East Africa by Charles Guillain, frigate captain, between 1846 and 1848.

Walker Evans
October 30, 2007-November 25, 2007

quai Branly Museum/ Sessions Pavillion

The Quai Branly Museum owns one of the 17 portfolios made by Walker Evans, for the African art exhibition at the Museum of Modern Art in 1935. It is one of the few portfolios in this series in the world yet complete, which contains a selection of statues and masks (477 images).
With Photoquai, the Pavilion Sessions visitor will be able to see those outstanding images side by side with masterpieces that have inspired them, or objects that are close enough.

Photoquai « Forum »Debates, exchanges, meetings with artists, videographers, agencies and international festivals from China, Latin America, Africa… At the Claude Lévi-Strauss theater, the following activities will be debated: on the one hand, the question of commited images vs. anthropological gaze. Humanitarian approach - and, secondly, the existence of alternative structures for image broadcast.
30 and 31 October, Theater Claude Lévi-Strauss.
November 16 and 17, Theater Claude Lévi-Strauss.



Photoquai "studio" This year, the School of Architecture in Paris (ESA) will present the work of his students, from Jerusalem, Melbourne, Mexico City, Buenos Aires, Singapore, Wellington. Leurs homologues français, en échange eux aussi pour un semestre, serviront de relais au projet dans les écoles partenaires de l'ESA à travers le monde. Their French counterparts, also in exchange for a semester, will serve as a relay to the project in ESA partners schools throughout the world. A project with the "National Higher School of Photography" in Arles (ENSP) and "Les Gobelins", the image school is underway for future editions of Photoquai.
30 octobre au 25 novembre, Théâtre Claude Lévi-Strauss. October 30 to November 25, Theater Claude Lévi-Strauss.

The outdoor exhibits presented Quai Branly and on the Debilly bridge are freely available every day from October 30 to November 25.


Musée du quai Branly
www.quaibranly.fr
October 30-November 25
Anne Noble, and Ruby's Room "Camera obscura, the first daguerreotype portrait, 1841-1851"
Admission to the museum is done by the 206 and 218 rue de l'Université
or by 27, 37 or 51 Quai Branly - 75007 Paris
Tuesday, Wednesday, Sunday: 11h - 19h
Thursday, Friday, Saturday: 11 am to 21h
Weekly closing on Monday
The exhibitions are on the West Gallery suspended from the Shelf Collections




Indoor exhibits


Australian Embassy
30 octobre – 25 novembre
Ricky Maynard, Portrait of a distant land
4, rue Jean Rey - 75015 Paris
Du lundi au vendredi, de 9h à 17h sauf jours fériés
Par métro : Bir-Hakeim ou RER Champ de Mars
Entrée libre
Plus d'infos http://www.france.embassy.gov.au/

Brasilian Embassy
30 octobre – 9 novembre
Sebastião Salgado, Indiens du haut Xingu
14 – 30 novembre
Carlos Freire, Avatars
34, cours Albert 1er - 75008 Paris
Tel : 01 45 61 63 00
Plus d'infos http://www.bresil.org/index.php?option=com_content&task=category§ionid=5&id=187&Itemid=49&cataff=187

Bibliothèque Nationale de France – site Richelieu
18 septembre – 16 décembre
Trésors photographiques de la société de géographie
58, rue de Richelieu - 75002 Paris
Du mardi au samedi de 10h à 19h
Le dimanche de 12h à 19h
Fermeture le lundi et les jours fériés
Tarif plein : 7 euros
Tarif réduit : 5 euros
Par métro : lignes 3 (Bourse),1 et 7 (Palais-Royal), 7 et 14 (Pyramides)
Par bus : 20, 29, 39, 67, 74, et 85
Plus d'infos http://www.bnf.fr/pages/zNavigat/frame/pratic.htm

China cultural Center in Paris
30 octobre – 25 novembre
Trois photographes chinois contemporains
1, boulevard de la Tour Maubourg - 75007 Paris
Du lundi au samedi : 10h – 12h et 14h – 18h
Entrée libre
Par métro : lignes 8 et 13 - Invalides ou Tour Maubourg
Par RER C : Invalides
Plus d'infos http://www.cccparis.org/newsite/exposition_Photoquai.htm

Cité de l'architecture et du patrimoine
30 octobre – 25 novembre
Architecture sans architecte en terre malienne
Palais de Chaillot
1, place du Trocadéro et du 11 novembre - 75016 Paris
Entrée libre
Plus d'infos http://www.citechaillot.fr/activite/evenements.php?init&id=167

Polish Institute
27 octobre – 14 novembre
Bogdan Konopka & Luo Yongjin, La Chine, les saveurs du divers
17 – 23 novembre
Krystyna Ziach, Infinity
31, rue Jean Goujon - 75008 Paris
Du lundi au vendredi : 9h30 – 17h
Entrée libre
Plus d'infos

Gallerie Françoise Paviot
27 octobre - 8 décembre
Bogdan Konopka, "Chine, l'Empire du gris"
57, rue Saint-Anne - 75002 Paris
Tél : 01 42 60 10 01
Ouvert au public du jeudi au samedi de 14h30 à 19h et sur rendez-vous
Samedi code porte : 45 B 67
Par métro : Quatre-Septembre et Pyramides
Par bus : 39

Gallerie Nationale du Jeu de Paume
16 octobre – 11 novembre
Omar Amiralay, rétrospective
1, place de la Concorde - 75008 Paris
Mardi (nocturne) : 12h à 21h
Mercredi à vendredi : 12h à 19h
Samedi et dimanche : 10h à 19h
Fermeture le lundi
Tarif plein : 6 euros
Tarif réduit : 3 euros
Par métro : Concorde (lignes 1, 8, 12)
Par bus : 24, 42, 72, 73, 84, 94
Plus d'infos http://www.jeudepaume.org/?page=article&sousmenu=1&idArt=313&lieu=1

European House of photography
10 octobre – 25 novembre
« Micro-ondes » - installation photographique de Rogiero Reis
5/7, rue de Fourcy - 75004 Paris
Ouvert tous les jours de 11 heures à 20 heures, sauf les lundis, mardis et jours fériés
Plein tarif : 6 euros
Demi-tarif : 3 euros
Par métro : Saint Paul ou Pont Marie
Par bus : 67, 69, 96 ou 76
Plus d'infos http://www.mep-fr.org/maison.htm

Musée national de la Marine
24 octobre – 25 novembre
« Suez Désiré, ou le paysage métamorphosé »
Palais de Chaillot
17, place du Trocadéro - 75116 Paris
Le musée est ouvert tous les jours (sauf le mardi, le 25 décembre, le 1er janvier et le 1er mai) de 10h à 18h
Plein tarif : 9 euros
Tarif réduit : 7 euros
Tarif 6-18 ans : 5 euros
Par métro : Trocadéro
Par bus : 22, 30, 32, 63, 72, 82
Batobus : Tour Eiffel
Plus d'infos http://www.musee-marine.fr/site/fr/horaires_acces_paris

Pavillon des Sessions, musée du Louvre
30 octobre – 25 novembre
Walker Evans, photographies
Entrée par la Porte des Lions
Tous les jours sauf le mardi et le vendredi de 9h à 18h, nocturnes jusqu'à 22h le mercredi
Par métro : Palais-Royal/musée du Louvre
Par bus : 21, 24, 27, 39, 48, 68, 69, 72, 81, 95
Plus d'infos http://www.quaibranly.fr/fr/collections/pavillon-des-sessions-au-musee-du-louvre/informations-pratiques-pavillon-des-sessions-du-louvre/index.html

PARIS PHOTO OR THE EYE OF THE WORLD From November 15th to 18th, 2008 at the Carrousel du Louvre

Over the decade since it first began, Paris Photo has won recognition as the world's premier fair for still photography.This unique event offers a deep and broad view of the medium, with the best of fine art photography from the earliest days until now and a forward-looking survey of what's happening in this art form today.

Paris Photo is organizing its eleventh edition determined to maintain its standards of excellence and its support for photography in all its diversity. From November 15th through November 18th, 2007 it will bring together some hundred galleries and publishers from the world over.With its exhibitions, book signings, prize award ceremonies and lectures, during those five days Paris Photo will be the eye of the world.

Between exhibitions, meetings, books autographs, award ceremonies and conferences, Paris Photo will be for five days the eyes of the world.

PARIS PHOTO OR THE EYE OF THE WORLD
http://www.parisphoto.fr
From 15th to 18th November 2008

Opening Nov. 14th, 2008 07pm to 10pm (by invitation only)

Carrousel du Louvre
99 rue de Rivoli, 75001 Paris
Opening Hours: 11 am to 08pm / professional Afternoon: November 14th 04pm - 07pm
Entrance fee : 15 euro - students / group: 7.5 euros

Dates 15 and November 17 11am-08pm
Nov. 16 De 11am to 09pm
Nov. 18 De 11am - 07pm (tickets booth closing at 06pm)
Professional Afternoon : November 14th 04pm - 07pm

Metro: Palais Royal-Musée du Louvre lines 1 and 7
Buses 21, 27, 39, 81, 95 station Palais Royal
Velib ': Borne 1011, 1010, 1025, 1012
Car Park: Carrousel du Louvre from the Quai des Tuileries, Rue de Rivoli and the Pont Royal

Robert Adams, On the Edge at The Fondation Cartier to January 27, 2008

Robert Adams’ first solo exhibition in France is presented at the Fondation Cartier pour l’art contemporain.


Conceived entirely by him and inspired by his current concerns, this show provides a rare opportunity to discover an artist known for his devotion to the western American landscape. Entitled On the Edge, it showcases approximately one hundred and fifty photographs that reflect both devastating and hopeful visions of the environment from three separate but related series: West from the Columbia (1990-1992), Time Passes (1990-1992), and Turning Back (1999-2003). A look back at his distinguished career via the remarkable publications that have accompanied his photographs since 1970 invites visitors to delve into his lesserknown passion for books as an equally important artistic medium.

Robert Adams, On the Edge
From November 16, 2007 to January 27, 2008

The Fondation Cartier pour l´art contemporain
fondation.cartier.com/
261, boulevard Raspail
75014 Paris
Tel: +33 (0)1 42 18 56 50
Fax: +33 (0)1 42 18 56 52

Access:
Métro: lines 4 et 6, stations Raspail ou Denfert-Rochereau
Bus: 38, 68
RER: Denfert-Rochereau
Parking: Disabled parking available at 2 rue Victor Schoelcher

The exhibitions
Open every day, except Monday, from 10 a.m. to 8 p.m. Open Tuesday evenings until 10 p.m.

Helen Levitt at the Henri Cartier-Bresson Foundation Street Set until December 23rd, 2007

Until December 23rd, the HCB Foundation will be showing a rare collection of black & white and colour images made by the great American photographer Helen Levitt in New York and Mexico between the 1930's and 1980's.
Helen Levitt is one of the great living poets of urban life. Best known for her images of life on the streets of New York in the 1930's and 1940's, her photographs reveal the gentle and subtle expressions and gestures of adults engaged in conversation and children at play in mysterious and inventive ways.

Helen Levitt started her carreer as a photographer in the '30 in New York, the city she loves more than anything else. But she always choosed carefully her playground: Brooklyn, Harlem, Lower East Side, where social misery strikes. Her glaze isn't accusatory. she stares without bias, sensitive to a rampant urban poetry but beyond everything to people crawling everywhere, bringing streets to life et moreover children playing games still innocent. The set is up for ever. Helen levitt won't change it, faithfull to herself et to the society she's depicting tenderly.


Levitt grew up in Brooklyn, New York. Dropping out of school, she taught herself photography while working for a commercial photographer. While teaching some classes in art to children in 1937, Levitt became intrigued with the transitory chalk drawings that were part of the New York children's street culture of the time. She purchased a Leica camera and began to photograph these works as well as the children who made them. The resulting photographs appeared, to great acclaim, in 1987 as In The Street: chalk drawings and messages, New York City 1938–1948. Named as one of the "100 best photo-books", first-editions are now highly collectable.


She studied with Walker Evans 1938 and 1939. In 1943 Edward Steichen at the Museum of Modern Art curated her first solo exhibition, after which she began to find press work as a documentary photographer. In the late 1940s she briefly became a film director, working with James Agee, with whom she shot the short art film In the Street. In 1959 and 1960, she received two Guggenheim Foundation grants to take colour photographs on the streets of New York but much of this work was stolen in a burglary. The remaining photos, and others taken in the following years, can be seen in the book Slide Show: The Color Photographs of Helen Levitt (May 2005). Her first major book was A Way of Seeing (1965). In 1976 she was a Photography Fellow of the National Endowment for the Arts.

She has remained active as a photographer for nearly 70 years and still lives in New York City. The New York's "visual poet laureate" is notoriously private and publicity shy.


Fondation Henri Cartier-Bresson
web: www.henricartierbresson.org/
2, impasse Lebouis 75014 Paris
tél. : 01 56 80 27 01

Metro : Gaité, line 13, exit n° 1, next to Rue de l'Ouest
Edgard Quinet, line 6

From Tuesday to Sunday from 1 PM to 6.30 PM
Saturday from 11 AM to 6.45 PM
Late night Wednesdays until 8.30 PM
Closed on Mondays and on November 1st

Admission:
6 € adults
3 € students, seniors and unemployed
Free on Wednesday evening (6.30 PM - 8.30 PM) and for the Friends of the Foundation

Lumen18Benjamin Josset, David Cousin-Marsy, Emilie Juillet at the Espace Canopy until November 25th, 2007

The exhibition "Lumen 18", presented at the CANOPY SPACE, offers 3 visions about the relationship an individual/Photographers keeps up with his/her environment.

With his "Already-made" series, David Cousin-Marsy reveals, through his gaze, unexpected art objects in an over-urban, bland and lonely world and pimp up our ordinary view. This very same urban environment is the setting to a walking dream by Benjamin Josset, who makes associations in his series "Rencontre" (Encounters). Emilie Juillet as for her, set up an inventory of emotion trigged by her environment. She collect faces, details, moments which become as many "Human Nature(s)". Those 3 photographers share with us the light they see in our surrounding world.


Collective exhibition of contemporary photographs
With Benjamin Josset / Emilie Juillet / David Cousin-Marsy
from october 31st to November 25th, 2007

Espace Canopy
http://www.labelette.info/
19, rue Pajol. 75018 Paris
Metro: La Chapelle
Wedenesday/Thursday/Friday from 03:00pm to 07:00pm
Saturday 02:00pm - 08:00pm / Sunday 02:00pm - 07:00pm

Press Contact: Charlotte at +33(0)6 88 31 18 94
Contacts: +33(0)6 06 722 667

Albert Watson - Glamour a gogoUntil November 9th at Acte2photo

_{Johnny, The indian stripper at the olympics gardens, Las Vegas, April 2001}

Albert Watson, is altogether Hitchcock struggling a goose, a naked Kate Moss, a smokin' Keith Richard, the queen of England and Marylin Manson... the all lot spiced with a good dose of Michael Moore with a Dada flavour!

Albert Watson has made his mark as one 01 the world's most successlul fashion and commercial photographers du ring the last four decades, while creating his own art along the way. Over the years, his striking images have appeared on more than 250 covers of Vogue around the world and have been featured in countless other publications, from Rolling Stone to Time to Vibe many 0f the photographs iconic portraits of rock stars, rappers, actors and other celebrities. [Albert was the officiaL Royal Photographer for Prince Andrew's wedding to Sarah Ferguson!



Albert also has created the photography for hundreds of successfuL advertising campaigns for major corporations, such as the Gap, Levïs, Revlon and Chanel, and he has directed more than 600 TV commercials. All the while, Albert has spent much of his time working on personaL projects, creating stunning images from his travels, from Marrakech to Las Vegas to the Orkneys. Much of this work, along with his well-known portraits and fashion photographs, has been featured in museum and gallery shows around the world. The photo industry bible, Photo District News, named Albert one of the 20 most influentiaL photographers 0f all time.


Born and raised in Edinburgh, Scotland, Albert studied graphic design at the Duncan of Jordanstone College of Art and Design in Dundee, and film and television at the Royal ColLege of Art in London.
Albert was introduced to an art director at Max Factor, who offered him his first session, from which the company bought two shots. Albert"s distinctive style eventually caught the attention of American and European fashion magazines such as Mademoiselle, GQ and Harper's Bazaar, and he began commuting between Los Angeles and New York. ln 1976, ALbert landed his fi rst job for Vogue, and his move to New York in the same year shilted his career into high gear.
Despite the enormous stress from all of his commissioned assignments, Albert devotes much of his time to extensive personaL projects, and he has published two books, "Cyclops" (19941 and "Maroc" (1998], and he is working on a third, "Shot in Vegas,"' due out in 2007. ln addition, many catalogs of Albert's photographs have been published in conjunction with museum and gaLlery shows around the world.
Albert has always been a workaholic. The archives at his studio in Manhattan's West Village are filled with millions 0f images and negatives, on which world-famous magazines and companies can be read. His huge studio, also used as a personal gallery, is filled with extraordinariLy large-format photographs taken in Las Vegas. At first glance these Landscapes, interiors and portraits take the viewer by surprise with their soft, filtered range of colors. But even in his new creations, Albert stays true to himseLf. The photographs create an aura that takes the viewer into the image but simuLtaneously ask for some sort of a distance.
Without a doubt, Albert Watson is an artist who greatly enriches our perception with his unique photographie view. This single-minded commitment to perfection has made Albert one of the world's most sought-after photographers.

Albert Watson Retrospective
acte2galerie
41, rue d'Artois 75008 Paris
tel: 01 42 89 50 05

FROM THE STREET TO THE NIGHT @ Colette

"Icon hypster" Colette set up an exhibition around night photographers and street ones.
A really interesting mix with argentic big names and digital celebrities, all withnesses of our world and the next trends.

“From The Street to the Night” exhibition until November 3rd with Amy Arbus, Bob Colacello, Hans Eijkelboom, The Sartorialist, Face Hunter, Cobra Snake, the Misshapes, Alistair Allan, Marco dos Santos, Jeremy Kost, Façade & many blogs…
An exhibition focusing on day –in the streets- & on night –in the clubs- photography. From Paris to New York, from Berlin to Tokyo & from L.A to Shangai. It is a complete photographic report in an era of photo blogs that are witnessing our time on a day-to-day basis. In the streets, in clubs, in private parties, during catwalks, with friends, in front of celebs, in the middle of unknowns, the new portrayer is everywhere.
Through “From The Street to the Night” colette pays tribute to those artists who capture our time with talent, slenderness, humor, intellect & of course a trumendous energy.

Blogs:
Fromthestreettothenight.blogspot.com
linleeloves.blogspot.com: Australian Linlee Allen compares Los Angeles to Paris.
hel-looks.com: Helsinki streets.
style-arena.jp: Tokyo streets by neighborhood.
stilinberlin.blogspot.com: Berlin streets.
damstyle.blogspot.com: Amsterdam streets.

Colette
www.colette.fr/
213 rue Saint-Honoré - 75001 Paris - France
Tel: +33 1 55 35 33 90 - Fax: +33 1 55 35 33 99

contact@colette.fr
Open from Monday to Saturday 11am to 7pm.
Subway Tuileries or Pyramides / Bus line 68 or 72